What happens in a cinema when you reverse space and time? Originally shot in 10K resolution and 360° at the legendary Babylon Berlin.

A park in the fog. Crows flap and caw in the sky. A homeless man sleeps between the trees. Now and then a crow is shot: as a deterrent. The crows rally after every shot. A woman disappears. The police gather evidence. What is really going on? Are reality and imagination slowly blurring?

Images of decay and regeneration photographed using a video camera whose sensor has been modified for infrared photography create a post apocalyptic, strangely beautiful, but disconnected world. A series of largely deserted rural and urban landscapes concretizes the bittersweet memories of a failed relationship that haunts the narrator in Pamela Falkenberg and Jack Cochran’s film poem of Lucy English’s "The Names of Trees," for her Book of Hours project, http://thebookofhours.org/.

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Loosely based on Dante’s Divine Comedy, The Divine Way takes the viewer into the protagonist’s epic descent through an endless labyrinth of staircases. As the woman journey deeper, the staircases transform and she is trapped and pulled into their dangerous landscape.

Booted from the limelight, Max Headroom now roves the video signal on the search for meaning. Once summoned to the screen, he talks to the audience in hopes of remembering his past life. As we watch Max, (and as he continues to watch us), he begins to understand what it will take to escape from his purgatory.

Short film Realms is a voyage through time, evolution and the kingdoms of life towards the natural destruction wrought upon the planet by the human species.

Can we believe our eyes? The short films of Johann Lurf often explore the enigmatic territory between the real and the perceived, challenging our senses to comprehend visions and sounds taken from the environment around us by means of subtle, beautiful trompe l'œil effects. Cavalcade, equally dazzling in 2D or 3D, sees him make a direct intervention into physical space for the first time...